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Ilustraciones absurdamente Brutales! Peter Carrington Peter Carrington, an illustrator from Manchester, makes artworks about  science, natural history and his struggle to gain knowledge. As Carrington states,  “I’ve always had an interest in science and nature, and during my studies I decided to combine this with my practice. Through deeper research into different scientific areas it quickly became apparent that, due to having dyslexia, I was never going to get a grip of the topics to make work that wasn’t shallow and ill-informed. I became frustrated that I wouldn’t be able to use the visual language of the sciences that I had become obsessed with. It was at this point that this frustration became the forefront of the work and the drawings became a portrait of me and my struggle with dyslexia. I began using the visuals of science and natural history journals to create seemingly scientific illustrations.” Carrington’s work harkens back to the history of biology and botany, where drawing and labels were the key to all knowledge, then he adds his own bit of mystical influence. Now Carrington is focusing on the human need for order. Through labels and numbers he demonstrates our need to categorize. To see more of his work, click here.  - Lee Jones
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Ilustraciones absurdamente Brutales! Peter Carrington Peter Carrington, an illustrator from Manchester, makes artworks about  science, natural history and his struggle to gain knowledge. As Carrington states,  “I’ve always had an interest in science and nature, and during my studies I decided to combine this with my practice. Through deeper research into different scientific areas it quickly became apparent that, due to having dyslexia, I was never going to get a grip of the topics to make work that wasn’t shallow and ill-informed. I became frustrated that I wouldn’t be able to use the visual language of the sciences that I had become obsessed with. It was at this point that this frustration became the forefront of the work and the drawings became a portrait of me and my struggle with dyslexia. I began using the visuals of science and natural history journals to create seemingly scientific illustrations.” Carrington’s work harkens back to the history of biology and botany, where drawing and labels were the key to all knowledge, then he adds his own bit of mystical influence. Now Carrington is focusing on the human need for order. Through labels and numbers he demonstrates our need to categorize. To see more of his work, click here.  - Lee Jones
Zoom Info
Ilustraciones absurdamente Brutales! Peter Carrington Peter Carrington, an illustrator from Manchester, makes artworks about  science, natural history and his struggle to gain knowledge. As Carrington states,  “I’ve always had an interest in science and nature, and during my studies I decided to combine this with my practice. Through deeper research into different scientific areas it quickly became apparent that, due to having dyslexia, I was never going to get a grip of the topics to make work that wasn’t shallow and ill-informed. I became frustrated that I wouldn’t be able to use the visual language of the sciences that I had become obsessed with. It was at this point that this frustration became the forefront of the work and the drawings became a portrait of me and my struggle with dyslexia. I began using the visuals of science and natural history journals to create seemingly scientific illustrations.” Carrington’s work harkens back to the history of biology and botany, where drawing and labels were the key to all knowledge, then he adds his own bit of mystical influence. Now Carrington is focusing on the human need for order. Through labels and numbers he demonstrates our need to categorize. To see more of his work, click here.  - Lee Jones
Zoom Info
Ilustraciones absurdamente Brutales! Peter Carrington Peter Carrington, an illustrator from Manchester, makes artworks about  science, natural history and his struggle to gain knowledge. As Carrington states,  “I’ve always had an interest in science and nature, and during my studies I decided to combine this with my practice. Through deeper research into different scientific areas it quickly became apparent that, due to having dyslexia, I was never going to get a grip of the topics to make work that wasn’t shallow and ill-informed. I became frustrated that I wouldn’t be able to use the visual language of the sciences that I had become obsessed with. It was at this point that this frustration became the forefront of the work and the drawings became a portrait of me and my struggle with dyslexia. I began using the visuals of science and natural history journals to create seemingly scientific illustrations.” Carrington’s work harkens back to the history of biology and botany, where drawing and labels were the key to all knowledge, then he adds his own bit of mystical influence. Now Carrington is focusing on the human need for order. Through labels and numbers he demonstrates our need to categorize. To see more of his work, click here.  - Lee Jones
Zoom Info
Ilustraciones absurdamente Brutales! Peter Carrington Peter Carrington, an illustrator from Manchester, makes artworks about  science, natural history and his struggle to gain knowledge. As Carrington states,  “I’ve always had an interest in science and nature, and during my studies I decided to combine this with my practice. Through deeper research into different scientific areas it quickly became apparent that, due to having dyslexia, I was never going to get a grip of the topics to make work that wasn’t shallow and ill-informed. I became frustrated that I wouldn’t be able to use the visual language of the sciences that I had become obsessed with. It was at this point that this frustration became the forefront of the work and the drawings became a portrait of me and my struggle with dyslexia. I began using the visuals of science and natural history journals to create seemingly scientific illustrations.” Carrington’s work harkens back to the history of biology and botany, where drawing and labels were the key to all knowledge, then he adds his own bit of mystical influence. Now Carrington is focusing on the human need for order. Through labels and numbers he demonstrates our need to categorize. To see more of his work, click here.  - Lee Jones
Zoom Info
Ilustraciones absurdamente Brutales! Peter Carrington Peter Carrington, an illustrator from Manchester, makes artworks about  science, natural history and his struggle to gain knowledge. As Carrington states,  “I’ve always had an interest in science and nature, and during my studies I decided to combine this with my practice. Through deeper research into different scientific areas it quickly became apparent that, due to having dyslexia, I was never going to get a grip of the topics to make work that wasn’t shallow and ill-informed. I became frustrated that I wouldn’t be able to use the visual language of the sciences that I had become obsessed with. It was at this point that this frustration became the forefront of the work and the drawings became a portrait of me and my struggle with dyslexia. I began using the visuals of science and natural history journals to create seemingly scientific illustrations.” Carrington’s work harkens back to the history of biology and botany, where drawing and labels were the key to all knowledge, then he adds his own bit of mystical influence. Now Carrington is focusing on the human need for order. Through labels and numbers he demonstrates our need to categorize. To see more of his work, click here.  - Lee Jones
Zoom Info

Ilustraciones absurdamente Brutales!

Peter Carrington

Peter Carrington, an illustrator from Manchester, makes artworks about  science, natural history and his struggle to gain knowledge. As Carrington states, 

“I’ve always had an interest in science and nature, and during my studies I decided to combine this with my practice. Through deeper research into different scientific areas it quickly became apparent that, due to having dyslexia, I was never going to get a grip of the topics to make work that wasn’t shallow and ill-informed. I became frustrated that I wouldn’t be able to use the visual language of the sciences that I had become obsessed with. It was at this point that this frustration became the forefront of the work and the drawings became a portrait of me and my struggle with dyslexia. I began using the visuals of science and natural history journals to create seemingly scientific illustrations.”

Carrington’s work harkens back to the history of biology and botany, where drawing and labels were the key to all knowledge, then he adds his own bit of mystical influence. Now Carrington is focusing on the human need for order. Through labels and numbers he demonstrates our need to categorize. To see more of his work, click here. 

- Lee Jones

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